I am so excited about Joanne Rendell's new novel! Joanne was instrumental in helping me pick books and movies for my Literature of Madness course this semester, and with her new novel's Sylvia Plath subplot, now I know why. Here is my little interview with her:
MC: Which came first, the title or the novel?
JR: Definitely the novel. The title was really, really hard and we – me, my editor, my agent, my husband, and anyone else who cared to take part in discussions - went through hundreds of suggestions. My husband actually came up with the final title and when he said it, I just knew it was perfect (and so, thankfully, did my editor). The two professors in the novel live on either side of
What other art form inspires you as much as writing?
Which comes easier for you - beginnings or endings?
Endings, without a doubt. Although sometimes it is a little harder to let go of the characters you’ve lived with for so long.
How many drafts until the final draft?
Maybe 3 or 4. I always start with a pretty worked out plot, although it often changes as I go along. Then I work from chapter one and go chapter by chapter. I’m not the kind of writer who writes a scenes here and then one there. I’m very systematic, although I do love editing and happily go back into the manuscript and change things once I’m done.
What are you reading right now?
The Elegance of a Hedgehog, Muriel Barbery and also Simone de Beauvoir’s, A Very Easy Death. It’s a coincidence that they are both books by French philosophers. I’m reading both as research for a new book idea (the book isn’t about
What's next for you?
I’m currently working on final edits for my third novel (which was bought by Penguin last fall). The novel tells the story of a woman who thinks she might be related to the nineteenth century writer, Mary Shelley. On her journey to seek the truth and to discover if there really is a link between her own family and the creator of Frankenstein, Clara unearths surprising facts about people much closer to home – including some shocking secrets about the ambitious scientist she is engaged to. The book is told in alternating points of view between Clara and the young Mary Shelley who is preparing to write Frankenstein.
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